Unit 3 A Dill Pickle 教案
1.Role play
Dramatize the scene of their reencounter—pay attention to the subtlety of tone, look, and action.
2.Objectives
●Understand the story: theme & character.
●Appreciate literature:
•read between the lines;
•read the story from a particular perspective: feminism;
•interpret the symbols
●Learn to describe a scene or object with accuracy: verbs.
3.Author
Katherine Mansfield (1888-1923)
•rebellious, dangerously witty, and lonely
•creative years burdened with loneliness, illness, jealousy and alienation: bitter depiction of marital and family relationships
•died of TB—the “romantic disease”
Her works:
•In a German Pension (1911)
•The Garden Party: and Other Stories (1922)
•The Doves’ Nest: a nd Other Stories (1923)
•Bliss: and Other Stories (1923)
➢Stream of consciousness
➢Characters’ psychological activities with detailed descriptions and symbolism
Her influence:
•Revolutionized the English short story;
•Marked the maturity of English short story;
•Was often compared to Dickens and Chekhov.
•
4.Theme
Questions for thinking:
1)Do you think the character of the two lovers plays an important role in their relationship?
2)What do you think results in the failure of their love and communication?
3)How would yo u describe the two characters’ relationship as presented in the story? Do
you think this is a typical love story? If not, why does the writer choose to tell it this way?
Or what is her real purpose in writing such a story?
●Women’s condition at the time:
Women were advocated to cultivate such qualities as “tenderness of understanding, unworldliness and innocence, domestic affection, and above all, submissiveness in various degrees.”
●“The Woman Question”:
rising wave of feminist movement (late Victorian age to the early 20th century)
●Man-Woman relationship:
sexual politics (ideas and activities that are concerned with how power is shared between men and women, and how this affects their relationships)
Feminist concern: What does a woman want?
It was her “born duty to reckon everything subordinate to his comfort and pleasure, and to let him neither see nor feel anything coming from her, except what is agreeable to him.”
—
J. S. Mill, The Subjection of Women
Sexual politics:
1)The man talks while the woman listens.
2)The man controls the conversation, demanding attention.
3)The man is tantalizing, offering hopes that he withdraws at wish.
4)The woman’s reaction:
contradiction ◊ compromise ◊ rebellion
5)T he woman’s desire to be heard and understood
5.Style:
1. Characteristics of modernist writing:
•symbolic images
•fragmented plot
•trivial subjects
•psychological insight—internal monologues, “stream of consciousness”
2.Many of the images in the story are deliberately symbolic. For example, the flowers. Can you find out the implication of the flowers? Do they take on a second meaning in the story?
3.Why is the story titled “A Dill Pickle”? How is it relevant to a love story? What might it represent symbolically, if it does?
6.Character analysis
Vera
Questions for thinking:
1)How did V era feel when she saw her former lover? Was she still attached to him?
2)Why did Vera break up with the man six years earlier?
3)Do you think Vera left the man again for the same reasons as the first time?
4)What indeed did Vera want? Why had she been so lonely? Was it because, as the man
said, she was an egoist?
5)What does the “strange beast” stand for? Why does the author describe it as a “strange
beast”? Is this image conventionally associa ted with women?
6)How do you understand that Vera was “born out of her time”?
The man
Questions for thinking:
1)What is the man’s name? Why isn’t he given a name?
2)Was the man still in love with Vera? If not, why did he seem so happy talking to her and
ask her to stay?
3)Why did he “let it go at that” when Vera told him she had sold her piano?
4)In what tone did he mention the break-up letter? Do you think he really understood now
what Vera had written about him?
5)Do you agree with what the man said about Vera? Did he understand her to some extent?
7.Structure
Questions for thinking:
1)How does the story begin and end? How is it different from a traditional story?
2)Why isn’t the story told in the original time order? What kind of effect does it create on
the reader’s mind?
3)We know little of what really happened between the characters. Instead we are provided
with only scattered memories and feelings. Why does the writer withhold the information?
Do you find it more intriguing to work out the puzzle than to have a direct and full
picture?
8.Detailed Analysis
Part One
1.How differently did Vera and the man react to their chance reencounter? Why?
2.Do you think the man meant it when he said that Vera looked “so well”? Why did he say
so?
3.What details in this part have you noticed that might help us understand better the
characters and the problem in their relationship?
Part Two
Episode 1 (13-15): first date
1.How did V era’s memory differ from the man’s recollection of their first date?
2.Why did she later admit that “His was the truer.”?
Episode 2 (16-21): on a lawn
1.Why did Vera at the moment think of this particular incident in their love affair? What
might it tell of her feelings for the man?
2.How did the man’s words at that time contrast with his at the present? Do you find th is
contrast ironic? Why?
Episode 3 (22-43): the Russian trip
1.In what way had the man changed in the six years? And the woman? What influence
would it have on their relationship?
2.Why did the man “let it go” when he knew that the woman had sold her piano? Wa s it
strange for him to do so?
3.How did the man describe his experience of the river life? What picture did it provoke in
Vera’s mind?
Episode 4 (44-51): the night of the Christmas tree
1.What did the man suggest when he praised the woman as    a “marvelous listener”?Why
did Vera find “a hint of mockery” in his voice?
2.What did it show that the man did not remember his dog’s name whereas Vera did?
3.What did it imply when the man “snapped the cigarette case to”?
Part Three
1.Why did Vera want to leave when the man mentioned their breakup six years ago? Why
did she then change her mind and stayed?
2.Do you think Vera and the man were lonely for the same reasons? Was she an egoist as he
was?
3.Why did she leave again, and so abruptly?
9.Discussion
1)We find Vera’s impression or memory very different from the man’s. Why does the
author present us with these contradictory stories?
2)Whose version is probably more reliable?
3)For most of the time, it was the man that spoke while Vera remained silent in her thought.
subjectionWhy is it so? Did she not want to speak? Or was it for any other reason?
4)What did the man want from Vera by asking her to stay? What did Vera want from him?
5)What does this story tell of the women’s condition in the beginning of the 20th century?
In what way is Vera’s decision to leave uneasy and thus admirable?
6)Do you enjoy reading this story? If so, what makes it so interesting or powerful?
What important elements of the modernist short story have you learned about by studying this text?
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